Sunday, 29 November 2009
Lynx Bullet
Friday, 27 November 2009
Thursday, 26 November 2009
Saturday, 21 November 2009
Producing Images that effectively communicate a message to an audience, Example 10
Producing Images that effectively communicate a message to an audience, Example 9
Producing Images that effectively communicate a message to an audience, Example 8
Producing Images that effectively communicate a message to an audience, Example 7
Producing Images that effectively communicate a message to an audience, Example 6
Friday, 20 November 2009
Thursday, 19 November 2009
Producing Images that effectively communicate a message to an audience, Example 1
Wednesday, 18 November 2009
Interpreting images of the present, past and a range of cultures, Example 10
Interpreting images of the present, past and a range of cultures, Example 9
Che Guevera poster
I think Che must be the most printed face in history, everyone recognises hkm, may not know his name but they know his face. The revolutionary inspired thousands if not millions of people and still today his face remains, nightclubs have been named after him t-shirts litter festival shops. The simple black outline of his face is powerful enough to communicate his appearance of confidence and determination. A figurehead in cuban society.
Interpreting images of the present, past and a range of cultures, Example 8
Interpreting images of the present, past and a range of cultures, Example 7
interpreting images of the present, past and a range of cultures, Example 6
Audi - German Thinking/Culture
The design for this is genius, and that goes for most German car firms. If you notice most German car logos a circular or are placed in a circle like vw and bmw. This is to represent ever lasting and never ending, basically the firms want to show that their cars last and in fact are infamous for their enduring quality compared to their French and Italian rivals.
Interpreting images of the present, past and a range of cultures, Example 5
Apple Logo - Consumer Culture
This logo has become an everyday appearance in 21st century society, nearly everybody in the West owns an apple product either it be an ipod, macbook, i phone or an imac. The symbol itself is self explanatory and now requires no type just its own image inside the modern consumer culture and society.
interpreting images of the present, past and a range of cultures, Examples 2, 3 and 4
World War 2 Propaganda posters
This world war 2 propaganda poster persuades people to home grow food instead of using imported foods that required the merchant navy to deliver but were unreliable due to dangerous waters, so the government inspired people to be self dependent. the image is an example of smart design using a ship and a spade together strengthens the concept.
Sunday, 15 November 2009
Interpreting images of the present, past and a range of cultures, Example 1
Saturday, 14 November 2009
The Abiltity to construct meaning from visual images and type, Example 10
The Abiltity to construct meaning from visual images and type, Example 8
Subist - Tank Magazine
Seeing this style of design really inspires me and spurs me on to create design, i dont like to use the word but i love this style of collage illustration. The illustration itself is built up of religous and human imagery to support the type on the adjacent page. The use of white space is also a technique I admire emphasising the black and grey inks. The visual combined with the type creates a pretty good spread that captures the eye. It's primary purpose to communicate religion and human thinking is successfully projected into image.
The Abiltity to construct meaning from visual images and type, Example 7
Plasticbionic business card
These plastic cards really capture the imagination and communicates the creative design practice of its creator which is it's purpose as a business card, the type if investigated is formed into the shape of stairs symbolising progression and forward moving which relates to the designers forever evolving style.
the Abiltity to construct meaning from visual images and type, Example 5
M-A-D Design "Fuelicide"
This image portrays the social and political issues of the current world, fuel and the loss of humanity to over-consumption. The design is powerful and emotional but by taking a internationally recognised symbol of man and petrol and combining the two M-A-D have removed the humanity from the image the only hint of life is the red image of a girl struggling to help the man. It is striking and emotional but at the same time isnt shocking so is comfortable to look at so the message is successfully communicated without putting the viewer off with extreme visuals of suicide.
The Abiltity to construct meaning from visual images and type, Example 4
Murrey & Sorrell/Fuel Design
Immediately this print starts the imagination flaring, the form of a human made from books! sat down where books should be read. The 'book man' appears bored with his head in his hand, possibly communicating a world without publications. A really smart example of graphic design.
The Abiltity to construct meaning from visual images and type, Example 3
Inkahoots - Queensland Theatre Company Poster for the youth and education program.
This is how type should look like! This beautiful collage of image, type and pastel colours forms a successful design. Using images from the performing arts layered over letterforms each letter transforms into an independent illustration but together form a exciting visual. The colours grab at the viewers attention creating a stir of excitement for passers by, such a simple design and idea really captures the imagination and thus works successfully in its aim to inform.
The Abiltity to construct meaning from visual images and type, Example 1
Jonathan Barnbrook - Adbusters design anarchy issue (designed by Mike Simons)
Barnbrook 'guest' art directed this issue of Adbusters and with him he brought an edgy fresh style to the publication, this design in particular takes an existing design, if a very terribly bland one at that and took away its function, which was to advertise cosmetics. He reversed the meaning of the ad by totally covering up the face from view and ironically hid the face altogether, dismissing the function of makeup. the design represents anarchy which is of course the theme of the issue, purposely destroying the use of something but at the same time creating something new, a message, which is truly what anarchy is about destroying or mocking the 'existing' and sending out a new message, which has been successfully accomplished here in this design.
Friday, 13 November 2009
The Abiltity to construct meaning from visual images and type, Example 2
Jonanthan Barnbrook - Tomorrow's Truth: Globalisation - corporate fascist.
"Design is both a political and cultural force for change, although mose designers choose not to think about the power it has." J Barnbrook.
This powerful design represents all the corporate power that the 21st century has been home to, G. Bush at one point the most influential and powerful political figure in the world, brought among society corporate fascism, fueled it with taxes etc. Heartless companies and what not preying on the weaker small local businesses to increase profits. This design brings it all together with the powerful imagery of a barcode placed just in the right position to visualize a moustache very much similar to Adolf Hitler, the figurehead of fascism, the design isnt in your face bright colours or any of that jazz just a simple light colour and some experimental type and a subtle placement of an image makes this a striking piece of design.
Thursday, 12 November 2009
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